Ever since dance music became a real contender in the pop music landscape—rivaling rock and hip-hop in terms of global influence, artists have been looking for new, unique ways to innovate; to distinguish themselves from the rest of the pack. After all, once any genre breaks out of the underground, the number of artists that hitch their wagons to it nearly overnight increases dramatically.
As a result, so many of those artists calculate their craft for marketability on every level—from production to performance—searching for different aspects to which they can draw focus so as to affirm their originality. Sometimes it can come off as gimmicky, other times more genuine, though the line between is a tightrope walk.
There are some artists, though, who don’t have to manufacture a sense of originality. They show up already equipped with a sound and style that is inimitably and entirely their own. Chief among that elite crop of artists in the electronic space may be KOAN Sound. Consisting of Will Weeks and Jim Bastow, the venerated British duo has tackled an extended myriad of genres and subgenres, all while maintaining their unmistakable sonic identity.
This flair for uniqueness is driven by a concerted effort to imbue their strong instrumental background into every track they produce. From their breakout hit, “Meanwhile, In The Future,” to their latest EP, Intervals Above, their early days playing in a band together back in Bristol support their affinity for limitless exploration, both in the studio and on stage.
Dancing Astronaut caught up with Weeks and Bastow at their LA tour stop for a rare interview wherein the pair discussed their continuing instrumental influences, their brand new live show, and more.
You’ve just released another rework of “Meanwhile In The Future,” one of ...
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