“My goal at that stage [of my career] was just to be happy with what I do . . . and to feel satisfaction in what I’m doing right now,” mused Charlotte De Witte on her earlier days. Little did she know when taking up the art of producing and DJing at the age of 17 that years later, she’d climb the ranks to earn a reputation as one of the top talents of the new generation of techno elite. “Music made me happy, and it still does,” she continued.
This simple, yet strong feeling that music she describes is one that drives many people’s musical ambitions. She grew up in Belgium, a place with electronic music running through its veins. Though often overlooked, the country played a major role in electronic’s development and integration into the mainstream in the earlier rave days, and remains home to some of the world’s most reputable festivals. Before “discovering the music [techno] on a more intellectual level,” De Witte enjoyed what she heard while going out with friends. She started her journey in electro, before “going out more and digging deeper into the music, and music culture/history.”
What sets this budding musician, who is just hitting her stride, apart from others is her keen ear for arrangement. In her research and experimentation, De Witte has found her way into cooler, subtly industrial shades of techno. Her music is minimal in nature, but it’s through clever arrangement of each element that she is able to move her audiences. Her no-frills approach thus becomes purposeful. “…A couple elements like a kick, some percussion, and maybe a vocal…grabs your attention so well,” she explains about her appreciation for this sound. “That’s what I really love about [this] music — I can actually get lost ...
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