Additional words by John Flynn.
The smell of lobster po’ boys and boiled crawfish is thick in the air, as crowds of festivalgoers make their way down Magazine Avenue towards the entrance to New Orleans’ Mardis Gras World. The venue is a one-of-a-kind urban promised land, whose grounds are home to the Big Easy’s iconic Mardis Gras Day parade floats and an abandoned early 20th Century power plant that has become the official backdrop of Winter Circle Production’s BUKU Music + Arts Project.
BUKU’s position at Mardi Gras World is perhaps its biggest prominency. The destination provides the ultimate unique locale for festival organizers to craft a singular experience rooted in the spirited history of one of America’s oldest cities. Located on the banks of the Mississippi, its outdoor stages are set in plain view of a rusted-out power plant. The festival’s newest stage, dubbed The Wharf, is quite the intriguing addition, with wooden shipping crates standing as it’s center piece aesthetic. While BUKU veterans were initially disappointed in the organizer’s elimination of the boat stage, their apprehensions seemed to melt away as they danced their hearts out to the house beats of Green Velvet, Walker & Royce, and Bonobo, among others.
As festivalgoers from many walks of life scurry through the grounds with grins on their faces and all sorts of potions in their hands, one can see the minute mental moments of reflection of their faces, where they pause briefly to take in the Mississippi River air, contemplating the performances the next two days has to offer. The seventh annual edition of BUKU, it seems, thrives off of the palpable hype pulsing through the veins of wide-eyed 20-somethings seeking total sensory assault.
The festival is a match made in heaven for such a demographic, offering up some of the biggest names in EDM and ...
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