Porter Robinson is either a tortured soul, or the “tortured artist” personae is one that works to his favor. His love of electronic music and simultaneous disdain for “EDM” culture is a complicated and genuine struggle, much like his highly self-critical relationship with his own music. But there’s something authentic and thoughtful in the way Robinson goes about creating art. Here is a guy who publicly lambasts his own style for becoming too stale or no longer honest. He has also been both artistically and commercially successful at once — something producers may work their whole careers to achieve, which Robinson had already accomplished at the ripe age of 21 when he debuted his electrifying Worlds project.
Revered by his fans and respected by industry veterans alike, the now 25-year-old artist embodies a legacy much bigger than his music or visuals could convey. Over the years, he’s fostered a creative space for a global community to connect with spirituality and find purpose in his work. With an artistic inspiration entrenched in video gaming and Japanese anime, Robinson stays ahead of the game by not bothering to compete with anyone.
“I didn’t have this goal to be the next number one DJ in the world. I just kept taking the opportunities that we given to me and doing my best,” he once told BeatsRadio. Because of this, he’s developed a niche that allows him to be wholly genuine in his approach, consequently influencing fans and fellow artists to value substance over surface and to pursue their passions at all costs.
Just weeks after a surprise performance on Holy Ship! and one month prior to his debut festival appearance at Buku Music + Arts Project, a certain e-mail was leaked in which Robinson introduced his Virtual Self project and his rationale for making such a move. The letter itself was revealing ...
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