KRANE’s ‘Fallout’ LP has finally arrived

Years of cultivating a distinctive, heady bass sound have culminated into KRANE‘s debut album Fallout. The expansive project has been in the works for some time, during which he compiled all his influences into a cohesive body of work which he states represents “much of my personal sound and background developed over the years of listening to and creating music.” Diving deeper than the average trap artist, KRANE sought to make an album that would be a full expression of him, beyond just music, drawing inspiration from “the aesthetics of movies, television and literature” he enjoys as well.

Fallout thus resulted in a ten-piece collection of heavy, yet enthralling numbers. KRANE wastes little time in reaching high levels of energy. After a smooth “Chemical,” which offers a more “mellowed” soundscape that is warmed by Ahsha & Lemay’s vocal contribution, the Bay Area producer hops right into a festival-ready “Next World.” The QUIX-assisted record is a minimal, yet dramatic trap effort with a cinematic climax at the end wrought by strings samples and buzzing chords.

KRANE truly demonstrates his roots in the wild side of the bass realm through Fallout. A wide array of its compositions are made for the dance space, and make for an invigorating listening in any environment. “Hollow (ft. SLUMBERJACK),” for example, plays around with Eastern-inspired melodies that pep up the lower frequencies. Spitfire verses by Nick Row paired with tingling breakdowns and heavy drops makes “PCP” one of the weightiest cuts on the LP. “Forgotten” fosters a futuristic atmosphere, aided by retro-inspired synthesizers and subtle vocoded vocal accents.

However, the bass maven’s softer side shines on this album as well. He uses a future bass medium for tracks of this variety on Fallout, and pairs it with an assortment of melodic progressions that ...

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