The Sex Pistols are undeniably one of the greatest punk rock bands in history, as their influence on both contemporary music and pop culture is inarguably ubiquitous.
While punk counterculture seeped into nearly every cultural crevice of the United Kingdom in the late sixties, it had yet to ooze into the streets of the United States for some time. Of course today, punk rock is a seemingly omnipresent cultural phenomenon in the US’s rock culture. This is not to say the counterculture was non-existent in the US before bands like the Sex Pistols’ sonic shipment overseas, but rather, full-blown anarchy vis-à-vis music was simply offset.
Certainly, as any punk pundit knows, it wasn’t just the music that catapulted bands like the Sex Pistols to the top of the industry or allotted for punk music to see the light of day. Rather, it was the movement’s ethos, specifically punk’s raw propensity for authenticity, its attacks on social conformity, and actions like the Sex Pistol’s continually neglected deference to the Crown.
Formed in London in 1975, the band initially lasted just two and a half years until 1978. They produced four singles and one studio album, Never Mind the Bollocks, Here’s the Sex Pistols, during that time. Following this breakup, three band members went on to record songs for their manager Martin McLaren’s film version of the Sex Pistols’ story called The Great Rock ‘n’ Roll Swindle, which depicts the journey of a band that went from fighting systems of oppression to one who had traded a pursual of “cash for chaos.”
It is with the Sex Pistols’ unfortunate demise — and opening up of a counterculture to the public eye that musical composer Sir Bob Cornelius Rifo found inspiration for his latest album under his Bloody Beetroots moniker. In it, he has cultivated an effervescent punk endeavor over the last ...
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